Rabu, 26 September 2012

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For the Love of Rei, by Tigra-Luna Lemar

Rochelle Hayes is the proud owner of Hayes Graphics and Animations, a company that is growing wonderfully. When she gets a chance to establish her company in the international marketplace, she reluctantly takes it. She now has to host a Japanese animator in her company while sending her best animator to Japan. When she meets Raiden Rei, she knows for sure she's in trouble because Raiden is unlike any Japanese man she'd ever met. Raiden Rei reluctantly leaves Japan for Canada to take on an employee exchange program. All he wants to do is go, do his job and return to Japan without having anything amputated due to frost bite. When he turns around and sees the sexy Rochelle Hayes, his plans change. But no matter how much he tries, Rochelle is fighting him every step of the way. How much will he be able to take before dropping everything and returning home?

  • Sales Rank: #8194198 in Books
  • Published on: 2013-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .32" w x 5.98" l, .46 pounds
  • Binding: Paperback
  • 136 pages

About the Author
A jamaican by birth, Tigra-Luna lives in Toronto. She visits Jamaica regularly, especially when it's minus 35 with a windchill outside in Toronto. In her spare time she loves movies, travelling, trying to sing in the shower and watching Giants baseball and UFC.

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5 of 5 people found the following review helpful.
Good but crazy at times
By EnvyNone
I really, really, liked this story. It was well written and the setting was unique so right away I was intrigued.

This is the story of Rochelle and Raiden. They both own companies which produce animation and Manga. Rochelle's company is smaller then Raiden's but he agrees to do a host exchange. You can read this on the cover.

What made me like this story is Raiden. He was a very confident man who knew his own mind. It was love at first site for him and the same for Rochelle but it takes her longer to get to the point where she can admit it and accept it.

The thing you need to know about Rochelle is that she is a "thick" chick and has self esteem issues stemming from previous relationships. At times her jealously makes her do over the top and childish things. Ordinarily I would not like a heroine like her but for some reason I just couldn't totally abandon her even with her antics. Perhaps it was because she and Raiden were really good together or perhaps it's because we all have that one crazy friend who's low self esteem makes them do crazy stuff at times but they are still a sweetheart. I don't know you will have to decide once you read the story. The sex scenes in this story were amazing and the dialog was sexy and witty. I don't want to spoil the ending but there is a surprise that based on timing I am not sure if it would be possible. When you read the story, let me know your thoughts. You will get what I am saying.

Bottom line, I enjoyed the story so get this one and judge for yourself.

4 of 4 people found the following review helpful.
For those who believe in love at first sight
By readr73
The Rei was the brooding alpha male type and Rochelle was the tough on the outside insecure on the inside type. I could understand Rochelle's insecurities, but most of her actions were definitely cringe worthy. I think that Rei gave up a bit too easily. Or at least, didn't put up as much effort as I in Rochelle's place would have hoped. All in all, I think the was an ok book. I would have liked to have read more about their relationship.

0 of 0 people found the following review helpful.
Its what your looking for
By Mars
If you are bothered easily by complete disregard to literary rules and simple grammar/spelling mistakes, you will be in pain reading it, but the story is very entertaining. It draws you in very easily, and its hard not to put it down. I get a little irritated at Rochelle's immaturity at times and the speed of their relationship, but its a very good read,

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Sabtu, 22 September 2012

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  • Sales Rank: #8297594 in Books
  • Published on: 1994
  • Binding: Paperback

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  • Sales Rank: #2169665 in Books
  • Brand: Usborne Books
  • Published on: 2011-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 8.25" w x .25" l, .50 pounds
  • Binding: Paperback
  • 20 pages
Features
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0 of 0 people found the following review helpful.
it's been fine. The book didn't come with a marker either
By JB
I had to spend time erasing the previous user's markings, but other than that, it's been fine. The book didn't come with a marker either, but I purchased dry erase markers and they seem to be working fine. For the price, it's been what I expected.

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Five Stars
By Renae
Bought used and is in great shape. My kids love it

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Selasa, 18 September 2012

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In the late 1960s and early 1970s hundreds of thousands of white middle-class American youths suddenly became hippies. This short overview of the hippie social movement in the United States examines the movement's beliefs and practices, including psychedelic drugs, casual sex, and rock music, as well as the phenomena of spiritual seeking, hostility to politics, and communes. W. J. Rorabaugh synthesizes how hippies strived for authenticity, expressed individualism, and yearned for community. Viewing the tumultuous Sixties from a new angle, Rorabaugh shows how the counterculture led to subsequent social and cultural changes in the United States with legacies including casual sex, natural foods, and even the personal computer.

  • Sales Rank: #790243 in Books
  • Published on: 2015-06-17
  • Released on: 2015-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.43" l, .0 pounds
  • Binding: Paperback
  • 245 pages

Review
"W. J. Rorabaugh brings the clarity of close historical research to the colorful chaos of the counterculture. In the process, he helps both old and young readers gain a better understanding of the late sixties and early seventies."
Edward Berkowitz, George Washington University, Washington DC

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Todd Gitlin, Columbia University, New York

"Here, finally, is a comprehensive, balanced, and refreshingly accessible account of the origins, values, lifestyle, and legacy of the sixties counterculture. Rorabaugh's broadly focused, concise, and compulsively readable synthesis is a most welcome addition to the expanding, though often overly specialized and case-specific, literature on the hippies. I look forward to introducing American Hippies to my students."
Gretchen Lemke-Santangelo, St Mary's College, California

"In his brief yet effective survey of the hippies of the 1960s and early 1970s, historian Rorabaugh presents a topical overview ... The book's overriding themes, which Rorabaugh summons in his conclusion as 'hippie legacies', are authenticity, individualism, and community ... Whereas most studies treat political radicals of the sixties as distinctly separate from hippies, Rorabaugh examines the relationship between the two camps in an effective chapter. He concludes with an insightful chapter on communes, the essential example of community. Rorabaugh achieves a nice balance, recognizing the hippie imprint without waxing nostalgic, acknowledging hippie naiveté and anti-intellectualism without becoming hypercritical. Summing up: recommended."
A. J. Dunar, Choice

About the Author
W. J. Rorabaugh is Professor of History at the University of Washington, Seattle. His numerous books include The Alcoholic Republic: An American Tradition; Berkeley at War: The 1960s; Kennedy and the Promise of the Sixties (Cambridge University Press, 2002); and The Real Making of the President: Kennedy, Nixon, and the 1960 Election. Rorabaugh received his AB from Stanford University and his PhD from the University of California, Berkeley.

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Jumat, 14 September 2012

[V281.Ebook] Ebook [(H.P. Lovecraft in Popular Culture: The Works and Their Adaptations in Film, Television, Comics, Music and Games )] [Author: Don G. Smith]

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  • Published on: 2005-12-30
  • Binding: Paperback

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Senin, 10 September 2012

[H999.Ebook] PDF Ebook The Book Before Printing: Ancient, Medieval and Oriental (Lettering, Calligraphy, Typography), by David Diringer

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The Book Before Printing: Ancient, Medieval and Oriental (Lettering, Calligraphy, Typography), by David Diringer

"A remarkable work. . . . For sheer weight of information there is no equal to it." — The Spectator.
It is probable that the earliest "books" were written on wood or leaves as early as the fourth millennium B.C. These fragile materials, unfortunately, have not come down to us. In their absence, the earliest surviving books are the clay tablets of Mesopotamia, the oldest attributed to c. 3500 B.C. On these ancient clay shards, dense rows of cuneiform script record the seminal writings of mankind: the Gilgamesh epic, Sumerian literary catalogues, Babylonian astrology, Assyrian accounts of the Creation and the Flood, and the Lipit-Ishtar Law-Code (c. 2000 B.C.), predating Hammurabi and the oldest law code in human history.
Probably as ancient as the Mesopotamian writings, or nearly so, are Egyptian hieroglyphics. In a sense, it is the papyrus scrolls of the Egyptians — preserved by that country's hot, dry climate — that represent the true ancestors of the modern book. As the centuries passed, papyrus slowly gave way to parchment (the prepared skins of animals) as writing material. Indeed, the handwritten parchment or vellum codex is "the book" par excellence of the Middle Ages. Western European book production is only part of the story, and the author is at pains to illuminate the bibliographic contributions of numerous peoples and cultures: Greek and Roman book production, books made in central and southern Asia, the books of Africa, pre-Columbian America, and the Far East — material that is often not mentioned in Western histories of the book.
Based on years of painstaking research and incorporating a wealth of new material and conclusions, the text is enhanced throughout by abundant illustrations — nearly 200 photographic facsimiles of priceless manuscripts in museums and libraries around the world.

  • Sales Rank: #529825 in Books
  • Published on: 2011-11-17
  • Released on: 2011-10-20
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.42" h x 1.13" w x 5.39" l, 1.39 pounds
  • Binding: Paperback
  • 624 pages

From the Back Cover

"A remarkable work. . . . For sheer weight of information there is no equal to it."—The Spectator.
It is probable that the earliest "books" were written on wood or leaves as early as the fourth millennium B.C. These fragile materials, unfortunately, have not come down to us. In their absence, the earliest surviving books are the clay tablets of Mesopotamia, the oldest attributed to c. 3500 B.C. On these ancient clay shards, dense rows of cuneiform script record the seminal writings of mankind: the Gilgamesh epic, Sumerian literary catalogues, Babylonian astrology, Assyrian accounts of the Creation and the Flood, and the Lipit-Ishtar Law-Code (c. 2000 B.C.), predating Hammurabi and the oldest law code in human history.
Probably as ancient as the Mesopotamian writings, or nearly so, are Egyptian hieroglyphics. In a sense, it is the papyrus scrolls of the Egyptians—preserved by that country's hot, dry climate—that represent the true ancestors of the modern book. As the centuries passed, papyrus slowly gave way to parchment (the prepared skins of animals) as writing material. Indeed, the handwritten parchment or vellum codex is "the book" par excellence of the Middle Ages. Western European book production is only part of the story, and the author is at pains to illuminate the bibliographic contributions of numerous peoples and cultures: Greek and Roman book production, books made in central and southern Asia, the books of Africa, pre-Columbian America, and the Far East—material that is often not mentioned in Western histories of the book.
Based on years of painstaking research and incorporating a wealth of new material and conclusions, the text is enhanced throughout by abundant illustrations—nearly 200 photographic facsimiles of priceless manuscripts in museums and libraries around the world.
Dover (1982) unabridged republication of The Hand Produced Book, 1953.

Most helpful customer reviews

23 of 24 people found the following review helpful.
Incredibly Comprehensive and Stimuating
By Timothy Dougal
"The Book Before Printing" by David Deringer is more than a book for bibliophiles: it is a mind-bogglingly comprehensive history of the roots of our common intellectual culture. From the oldest fragment of an Egyptian book c.2600 BCE, through clay tablets, papyrus, leather and parchment scrolls, to codices (that is, books as we have come to know them) in the early centuries of the Common Era, from prehistoric and non-literate symbolic/memnonic schemes, through early writing systems of Africa and Asia, to alphabets and scripts, Diringer examines every bit of evidence that was available up to the early 50's, when the book was written, to reveal archeological, cultural, linguistic, and religious trends through the millenia, and how scribes functioned, in their various settings, to bring us what remains of of distant literary past. He delves into the remotest corners of the globe for unexpected insights and manuscripts. Illustrations are abundant and well-described. I can only wonder what an edition updated to include all the most recent discoveries would be like. Probably huge! But even as it is,this book is a goldmine of information, and a feast for the mind.

27 of 29 people found the following review helpful.
An Exceedingly Convenient Reference!
By Brian A. Glennon
The chief value of this work is in its collection of photographs of rare and unique manuscripts and its mass of empirical data; therefore this effort of Dr. David Diringer - 'THE BOOK BEFORE PRINTING: Ancient, Medieval, and Oriental (c.1953, 1982), becomes a nice compendium of evidence rather than a plausible theory of the development of the modern book.
Indeed this author's use of the word 'book' to designate any written material is a source of ambiguity as Dr. Diringer further refined his definition of a book to only the written word found "on perishible material such as wood, leather, or papyrus" (p. 48). So according to this author, only the written word found on clay, rolls, scrolls, leather parchments, linen, and waxed boards up to and including the codex are books - but not stone tablets, cave etchings, monument markings or metal stampings.
Though other studies begin their histories of the book with the codex (e.g. THE CODEX by Dr. Roberts; and THE BIRTH OF THE CODEX by C. H. Roberts), this author's extension of his book definition back to the furthest reaches of human civilization had inadvertently provided the reader with such a broad survey of data that few students will not be instructed by the many well chosen photographs of the rare and ancient manuscripts the author collected to use as examples of books.
In fact, the sheer volume of the photocopied documents almost compelled a reader to turn another page. In chronological order, each photocopy of a scroll, parchment, or codex coincided with Dr. Diringer's explanation of a period in a country's ancient history in which that document was produced. (This is a point where the author's expertise in writing tended to displace his main theme of book history). Yet some documents have achieved such a mythical quality, as 'Beowulf' or the 'Iliad' that it is striking to see a clear, legible photocopy on a following page.
Dr. Diringer made his work further interesting by juxtaposing several copies of ancient manuscripts for either penmanship, language, material, or size comparison. This is exceedingly convenient as the author provided a quick reference of distinguishing artifact features; such as: "National Hands" (p. 286) of 7th century Merovingian with the Visogothic cursive; and the 9th century Roman minuscule with the 10th century Benevendon script. The author provided a clear view of such esoteric documents as: the Lipit-Ishtar Law Code (4,500 B.C.); the Codex Sinaitus (4th century), and the earliest Japanese written document - the 'Shotoku Taishi (573 a.d.). Thus the mere perusal of THE BOOK BEFORE PRINTING will become a learning experience as the bibliophile might discover a rare document containing an alphabet or language (or the existence of a race) new to his studies. The sheer beauty and antiquity of some of these manuscripts, such as 'The Book of Kells', or the 15th century illuminated copy of 'Chaucer', and the clay Summerian tablet of the 'Hammurabi Law Code' written in cuneiform, are magnificent.
Originally published as THE HAND PRODUCED BOOK (c. 1953); THE BOOK BEFORE PRINTING is not so much a history of the book as it is many histories of the written word. Containing few mistakes (I found one spelling error on page 75; and the original title is still extant on top of each text page) Dr. Diringer had produced an excellent and valuable reference tool for the general reader as well as the scholar. If you need to choose a subject topic for an English, History, Archaeological, or palaeological dissertation then THE BOOK BEFORE PRINTING might help you in that choice. So even if you don't believe that a scroll is a book, Dr. David Diringer's work is still worth reading.

14 of 14 people found the following review helpful.
For bibliophiles and bibliomanes
By L. Waldron
This is a reprint of Diringer's "The Hand-produced Book". If you like books, you will LOVE this. You will beat yourself on the head and say, "Where has it been all my life?"
Diringer wrote "The Alphabet" and "The Illuminated Book", as well. All of these are easily accessible to the educated layman, and each is a rollicking good time. Alphabet and Illuminated are out of print. I found each of the 3 titles through the interlibrary loan program, but it would be a groove to actually own them.
Diringer is erudite, with a charming style. The illustrations in all the books are excellent.
What are you waiting for? THIS IS IT.

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Jumat, 07 September 2012

[L627.Ebook] Download Creative Character Design, by Bryan Tillman

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Creative Character Design, by Bryan Tillman

Create compelling, original characters using archetypes and design elements such as shadows and line with the tips and techniques found in this image-packed book. Bryan Tillman bridges the gap between the technique of drawing characters and the theory of good character design by using case studies, examples of professional art, and literary and pop culture references to teach you how to develop a character, not just draw one. The book also features Character Model Sheets that will guide you through the creation of new and unique characters. Finally, Bryan will break down established character archetypes to show you why and how the different aspects of good character design work. The content on the book is based on Bryan's popular 2009 Comic-Con course on 'Character Design'. Learn what makes a character unique and powerful by using shapes, shadows, and form - this title includes 'character model sheets' so you can put it all together yourself, as well as case studies from established artists. It bridges the gap between the technique of drawing characters and the theory of good character design in a practical, hands-on way - learn how to use story and archetypes to develop compelling, new characters. Based on a standing-room only presentation at Comic-Con 2009 in San Diego, it features the artwork of a collection of professional artists as examples to the techniques shown in the book.

  • Sales Rank: #446341 in eBooks
  • Published on: 2012-12-12
  • Released on: 2012-12-12
  • Format: Kindle eBook

Review

"Tillman's book bridges the gap between the technique of drawing characters and the theory of good character design by using cse studies, examples of professional art, and literary an pop culture references to teach how to develop a character, not just draw one. The book is based on Bryan's popular Comic-Con course on character design."--Animation Magazine

Most helpful customer reviews

9 of 10 people found the following review helpful.
Mixed Bag
By Heather LaRee
My (adult) son is a comic artist and avid reader (among other talents). I asked for his more-experienced thoughts about this book:

Bryan Tillman obviously has plenty of artistic skill and a vast knowledge of creating characters. And, he never lets you forget this. For as much insight as this book possesses, I found it extremely difficult to get passed the tone of Mr.Tillman's words. Arrogant to a laughable degree, "Kaiser" (Tillman's pen name) takes far too many pages to say the same thing. This left me, the reader, feeling like my intelligence & comprehension skills were greatly underestimated. I'm not 8 years old, and this book isn't for 8 year olds.

All this said, Creative Character Design does offer great information about character archetypes and interaction. Pleasantly, the book went beyond simply diving into the visual process and offered a lot of insight into allowing who the character IS dictate how he/she looks. Although, this said, I do wish Mr.Tillman had used some of his "better" art for the contained examples. The majority of the actual character designs in the book are very flat and uninspiring.

Creative Character Design serves well in gaining a fresh perspective on character development, but I will be looking elsewhere to grow and evolve my design skills.

3 of 3 people found the following review helpful.
Cutting Edge Designs! CREATIVE CHARACTER DESIGN: A Critical Review
By Andre Lawrence
[[VIDEOID:mo19ELVSEC9LLD8]]"The one thing that you as the character designer must remember is that the characters are always in service to the story--is not, nor will ever be, the other way around."
Bryan Tillman

This is one of those unique books on illustration that you often wonder why hasn't a "style" like this been published before or on a grand scale that a publisher like Focal Press would produce.

CREATIVE CHARACTER DESIGN is a illustrative how-to book with a distinctively hip-hop, urban rendering. If these books How To Draw Caricatures and Cartooning the Head and Figure (Perigee) are considered the foundations for learning how to illustrate people/ "characterizations" for a mass "pop" population, then this book CCD is such a book for this second decade of the new millennium.

In a sense, Tillman is saying about illustration and the storyline, form-follows-function.

What's special here is that Tillman, the author and creative director for a design firm, has some very simple-to-follow illustration basics as well as a psychological outline to get the most out of one's talent.

According to Tillman, before one can approach an illustration, he/she should possess the following five (5) traits in order to correctly capture the image. They are as follows:

Starting Points:
* Archetype
* Story
* Being Original
* Shapes
* References

Of the five, only one "Shapes," struck me as not be self-evident.

As I read and re-read, I found the psychological breakdown of personalities based on the shape of the head intriguing. What do we typically think when we see a person with a circular-shaped head? Do we really have a distinctly different set of feelings for one with a square-shaped head? What about a triangular-shaped head, what do we presupposed about their personalities?

"Shapes and Silhouettes," Chapter 5, is a must read.

It is my guess that even experienced artists, even those of us who've been illustrating for more than three decades can learn something from this book.

I also want to point out, which is not explicitly stated here, but needs to be pointed out about "illustrating," and it is a comment made by a former art professor (in an unusually boring and unproductive class.) He said, that when it comes to illustrating a person--how you feel about a person will have a dramatic effect on the way that subject is rendered. And, there's nothing that can be done to dramatically change the output unless there's a change in impression by the artist. So, for instance, if the model is profoundly beautiful, let's say a "Cheryl Ladd." If the artist has some ill-feeling toward her, the rendering will undoubtedly show the character flaws that the artist feels the subject has. The opposite is also true. If the subject is, politely-speaking, not at her/his optimal and the artist has an exaggeratedly positive feeling, then the resulting image will no doubt reflect a generous display of admiration. (And, I'm guilty of this myself.)

When you go through this fine book, bearing in mind, the subjects that Tillman mentioned fascinated him as a young man, you'll clearly see that images of warriors and women (not a bad combo ;) ) are by far his most creative and best executed designs.

CREATIVE CHARACTER DESIGN--an excellent resource for learning illustration.

2 of 2 people found the following review helpful.
A solid manual about character/story design
By Joan C. Scott
Though this is a manual on character design for visual media, it presents a methodology that is sound for anyone developing any story.

Backstory, which Tillman repeatedly stresses is of the greatest importance to story development. When developing a story for visual media, nobody fails to visualize things. But people attempting to write a short story or novel frequently omit this very important step. I teach writing, and from time to time I edit a book. Many times I have said to story writers, "How does that LOOK? Draw a sketch and then use your words to make your readers SEE what you have drawn." For a writer, the drawing skill does not have to be as well developed, but the visualization is equally important as in visual media.

Tillman's point about "would it work?" is also very important. His example of a human with four arms is excellent -- a reader or a viewer of visual presentation is going to be frustrated by presentation of a half-baked character whose anatomy simply could not function in any reality readers or viewers know. "Great art" alone may make uncritical consumers of the product happy, but art created for that level of consumer is very forgettable -- and if we are going to bother to make a story, we should strive to create quality that will be enduringly memorable.

Tillman's section about presenting a character in a series of 3-point or 5-point stances is also good. This helps a visual artist OR a writer to see the character "in the flesh" and avoid a "cardboard character" feel to the character being developed.

Tillman's teaching methodology is good: he gives a homework assignment at the end of each chapter which draws directly on what he has just presented -- and he chuckles with his reader to the effect that he realizes there is no way he can enforce the homework -- but your learning will be better if you do it. He also has a conversational, breezy tone that is easy to read but does not compromise his instruction.

One does not have to utilize Tillman's particular style of drawing to benefit from his book -- I for one am not fond of that particular style -- because his instructions will fit any style of visualization -- and for any story visualization is truly everything.

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The presidential character: predicting performance in the White House (4th Edition) (Chinese Edition), by James David Barber

"The presidential character: predicting performance in the White House (4th Edition)" describes the stories of US presidents with interesting writing style. However, it is not a history book , for it is not intended to cover the presidents' past, but to predict what is going to happen based on what has taken place. The author believes that the individual personality, world view and political style can help us to predict their actions after they take office. Besides, the author explains and predicts a dozen presidents and potential candidates' behaviors.

  • Published on: 2015-01-01
  • Binding: Paperback
  • 755 pages

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Building a Model Railroad Step by Step (Model Railroader's How-To Guides), by David Popp

Follow the construction of a model railroad layout from start to finish! Over the course of three years, Model Railroader Senior Editor David Popp offered readers a monthly ?Step by Step? glimpse into his N scale Naugatuck River Valley layout as he built the layout from the ground up. Now he tells the complete construction story using techniques any model railroader can use! More than 30 short projects take modelers through the process, from building benchwork to operating realistically. Step-by-step photos and illustrations let modelers see every phase of construction and apply the techniques to their own projects. Project topics include getting the layout started, building benchwork, completing trackwork and wiring, constructing scenery, adding structures, detailing, and running the railroad. Includes new material on choosing a scale, working in the available space, and installing DCC decoders.

  • Sales Rank: #1455493 in Books
  • Brand: Kalmbach
  • Published on: 2007-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .30" h x 8.20" w x 10.50" l, 1.00 pounds
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

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2 of 4 people found the following review helpful.
Model RailRoading for Dummies
By Cheri H. Dorbritz
I'm "MiMi" to a five year old railroading afficiando. This book told me everything I needed to know to make my grandson's eyes pop and the word "Awesome" fly from his mouth. Hands down a great guide for the beginner.

17 of 18 people found the following review helpful.
building a model railroad step by step
By Brian Keirns
A great book for anyone who's ever said "how'd they make it look like that?" It shows everything just as it says, step by step. A lot of great pictures and tips for everything from benchwork to scenery. A definate must for anyone looking to get into the hobby.

1 of 1 people found the following review helpful.
GOT ME STARTED
By Michael Campfield
This book got me to select N scale and get started. Great read even if another scale is your choice.

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The Brazilian Millionaire's Love-Child, by Anne Mather

Isobel has never forgotten the night Brazilian millionaire Alejandro Cabral took her innocence. The image of Alejandro's sexy body has left a lifelong impression on her--as did his seed. He will never know he has a daughter....Until three years later, when Isobel is led right back to Alejandro--and she's shocked. He's a changed man. He's still utterly sexy, but a terrible car accident has left him scarred, brooding and bitter. What's more, he's deliberately lured Isobel to Brazil because he knows "all" about his child.

  • Sales Rank: #3298864 in Books
  • Published on: 2010-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.62" h x .50" w x 4.21" l, .24 pounds
  • Binding: Mass Market Paperback
  • 192 pages

About the Author
Anne Mather always wanted to write. For years she wrote only for her own pleasure, and it wasn't until her husband suggested that she ought to send one of her stories to a publisher that they put several publishers' names into a hat and pulled one out. The rest as they say in history. 150 books later, Anne is literally staggered by the result! Her email address is mystic-am@msn.com and she would be happy to hear from any of her readers.

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4 of 4 people found the following review helpful.
Due diligence
By ma
One of the first things that I liked about this book was Alejandro's initiative in checking up on his ex love, Isobel, and discovering on his own that he had fathered her child. Most of the time in secret baby themes that I have read, the hero is not so diligent and is later blind sided when he discovers that he has a child. The next thing I liked about this book was that it was by Anne Mather. She brings a mix of insightfulness and sensuality to her stories that commands a reader's attenion. I think this is a smart and passionate story. Smart because the lines are clearly drawn there is no dragging on of an empty conflict just to fill the pages--Isobels concerns are addressed and smartly disposed of. Alejandro requires some convincing that he is not repulsive to Isobel, but once he is other obstacles are dealt with. Passionate-- you will discover for your self when you read first hand what happpens when all their barriers come down. Again I really liked Alejandro. The way he tracked Isobel on his own and accidently discovered he had a child was a rare treat for me.

4 of 4 people found the following review helpful.
A Romance Junkie
By A Romance Junkie
Alejandro the alpha rich, gorgeous Brazilan male who was in England on business went to a party and fell in love with Isobel. He couldn't stop himself from making love to Isobel even though he was engaged to someone else in Brazil, or at least that's what I read. Isobel was a writer for a magazine her uncle owned and three years after Alejandro left her, she was sent to Brazil to interview Alejandro's mother-in-law who was a famous writer. Of course unknown to her Alejandro had set that up because he wanted to see Isobel and to know more about his daughter. Alejandro had promised to go back to England and see Isobel, but he never did because of the terrible accident he had. This story could have been really good but it just never got better. I felt nothing for this guy or for Isobel, they were kind of boring. It never really gave a reason why he married Miranda, I think that was her name..I didn't really care. I can't recommend this book, I did finish it however. There have been many I couldn't finish so that's why I gave this book two star.

3 of 3 people found the following review helpful.
Cheesetastic
By Amazon Customer
Wow, I guess if you're looking for a very superficial romance, then this might do. I still have no idea why the hero and heroine got together. The hero is manipulative, superficial and petty, first seducing a complete stranger, then engineering a completely improbable setup with the heroine.
Admittedly, the heroine was likable, if poorly developed. However, she alone can't make up for the weak plot and other characters.

I had pretty low expectations, but this didn't even meet those.

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