Rabu, 26 September 2012

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For the Love of Rei, by Tigra-Luna Lemar

Rochelle Hayes is the proud owner of Hayes Graphics and Animations, a company that is growing wonderfully. When she gets a chance to establish her company in the international marketplace, she reluctantly takes it. She now has to host a Japanese animator in her company while sending her best animator to Japan. When she meets Raiden Rei, she knows for sure she's in trouble because Raiden is unlike any Japanese man she'd ever met. Raiden Rei reluctantly leaves Japan for Canada to take on an employee exchange program. All he wants to do is go, do his job and return to Japan without having anything amputated due to frost bite. When he turns around and sees the sexy Rochelle Hayes, his plans change. But no matter how much he tries, Rochelle is fighting him every step of the way. How much will he be able to take before dropping everything and returning home?

  • Sales Rank: #8194198 in Books
  • Published on: 2013-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .32" w x 5.98" l, .46 pounds
  • Binding: Paperback
  • 136 pages

About the Author
A jamaican by birth, Tigra-Luna lives in Toronto. She visits Jamaica regularly, especially when it's minus 35 with a windchill outside in Toronto. In her spare time she loves movies, travelling, trying to sing in the shower and watching Giants baseball and UFC.

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5 of 5 people found the following review helpful.
Good but crazy at times
By EnvyNone
I really, really, liked this story. It was well written and the setting was unique so right away I was intrigued.

This is the story of Rochelle and Raiden. They both own companies which produce animation and Manga. Rochelle's company is smaller then Raiden's but he agrees to do a host exchange. You can read this on the cover.

What made me like this story is Raiden. He was a very confident man who knew his own mind. It was love at first site for him and the same for Rochelle but it takes her longer to get to the point where she can admit it and accept it.

The thing you need to know about Rochelle is that she is a "thick" chick and has self esteem issues stemming from previous relationships. At times her jealously makes her do over the top and childish things. Ordinarily I would not like a heroine like her but for some reason I just couldn't totally abandon her even with her antics. Perhaps it was because she and Raiden were really good together or perhaps it's because we all have that one crazy friend who's low self esteem makes them do crazy stuff at times but they are still a sweetheart. I don't know you will have to decide once you read the story. The sex scenes in this story were amazing and the dialog was sexy and witty. I don't want to spoil the ending but there is a surprise that based on timing I am not sure if it would be possible. When you read the story, let me know your thoughts. You will get what I am saying.

Bottom line, I enjoyed the story so get this one and judge for yourself.

4 of 4 people found the following review helpful.
For those who believe in love at first sight
By readr73
The Rei was the brooding alpha male type and Rochelle was the tough on the outside insecure on the inside type. I could understand Rochelle's insecurities, but most of her actions were definitely cringe worthy. I think that Rei gave up a bit too easily. Or at least, didn't put up as much effort as I in Rochelle's place would have hoped. All in all, I think the was an ok book. I would have liked to have read more about their relationship.

0 of 0 people found the following review helpful.
Its what your looking for
By Mars
If you are bothered easily by complete disregard to literary rules and simple grammar/spelling mistakes, you will be in pain reading it, but the story is very entertaining. It draws you in very easily, and its hard not to put it down. I get a little irritated at Rochelle's immaturity at times and the speed of their relationship, but its a very good read,

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Sabtu, 22 September 2012

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  • Sales Rank: #8297594 in Books
  • Published on: 1994
  • Binding: Paperback

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  • Sales Rank: #2169665 in Books
  • Brand: Usborne Books
  • Published on: 2011-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 8.25" w x .25" l, .50 pounds
  • Binding: Paperback
  • 20 pages
Features
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0 of 0 people found the following review helpful.
it's been fine. The book didn't come with a marker either
By JB
I had to spend time erasing the previous user's markings, but other than that, it's been fine. The book didn't come with a marker either, but I purchased dry erase markers and they seem to be working fine. For the price, it's been what I expected.

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Five Stars
By Renae
Bought used and is in great shape. My kids love it

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Selasa, 18 September 2012

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In the late 1960s and early 1970s hundreds of thousands of white middle-class American youths suddenly became hippies. This short overview of the hippie social movement in the United States examines the movement's beliefs and practices, including psychedelic drugs, casual sex, and rock music, as well as the phenomena of spiritual seeking, hostility to politics, and communes. W. J. Rorabaugh synthesizes how hippies strived for authenticity, expressed individualism, and yearned for community. Viewing the tumultuous Sixties from a new angle, Rorabaugh shows how the counterculture led to subsequent social and cultural changes in the United States with legacies including casual sex, natural foods, and even the personal computer.

  • Sales Rank: #790243 in Books
  • Published on: 2015-06-17
  • Released on: 2015-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.43" l, .0 pounds
  • Binding: Paperback
  • 245 pages

Review
"W. J. Rorabaugh brings the clarity of close historical research to the colorful chaos of the counterculture. In the process, he helps both old and young readers gain a better understanding of the late sixties and early seventies."
Edward Berkowitz, George Washington University, Washington DC

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Todd Gitlin, Columbia University, New York

"Here, finally, is a comprehensive, balanced, and refreshingly accessible account of the origins, values, lifestyle, and legacy of the sixties counterculture. Rorabaugh's broadly focused, concise, and compulsively readable synthesis is a most welcome addition to the expanding, though often overly specialized and case-specific, literature on the hippies. I look forward to introducing American Hippies to my students."
Gretchen Lemke-Santangelo, St Mary's College, California

"In his brief yet effective survey of the hippies of the 1960s and early 1970s, historian Rorabaugh presents a topical overview ... The book's overriding themes, which Rorabaugh summons in his conclusion as 'hippie legacies', are authenticity, individualism, and community ... Whereas most studies treat political radicals of the sixties as distinctly separate from hippies, Rorabaugh examines the relationship between the two camps in an effective chapter. He concludes with an insightful chapter on communes, the essential example of community. Rorabaugh achieves a nice balance, recognizing the hippie imprint without waxing nostalgic, acknowledging hippie naiveté and anti-intellectualism without becoming hypercritical. Summing up: recommended."
A. J. Dunar, Choice

About the Author
W. J. Rorabaugh is Professor of History at the University of Washington, Seattle. His numerous books include The Alcoholic Republic: An American Tradition; Berkeley at War: The 1960s; Kennedy and the Promise of the Sixties (Cambridge University Press, 2002); and The Real Making of the President: Kennedy, Nixon, and the 1960 Election. Rorabaugh received his AB from Stanford University and his PhD from the University of California, Berkeley.

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Jumat, 14 September 2012

[V281.Ebook] Ebook [(H.P. Lovecraft in Popular Culture: The Works and Their Adaptations in Film, Television, Comics, Music and Games )] [Author: Don G. Smith]

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  • Published on: 2005-12-30
  • Binding: Paperback

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Senin, 10 September 2012

[H999.Ebook] PDF Ebook The Book Before Printing: Ancient, Medieval and Oriental (Lettering, Calligraphy, Typography), by David Diringer

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The Book Before Printing: Ancient, Medieval and Oriental (Lettering, Calligraphy, Typography), by David Diringer

"A remarkable work. . . . For sheer weight of information there is no equal to it." — The Spectator.
It is probable that the earliest "books" were written on wood or leaves as early as the fourth millennium B.C. These fragile materials, unfortunately, have not come down to us. In their absence, the earliest surviving books are the clay tablets of Mesopotamia, the oldest attributed to c. 3500 B.C. On these ancient clay shards, dense rows of cuneiform script record the seminal writings of mankind: the Gilgamesh epic, Sumerian literary catalogues, Babylonian astrology, Assyrian accounts of the Creation and the Flood, and the Lipit-Ishtar Law-Code (c. 2000 B.C.), predating Hammurabi and the oldest law code in human history.
Probably as ancient as the Mesopotamian writings, or nearly so, are Egyptian hieroglyphics. In a sense, it is the papyrus scrolls of the Egyptians — preserved by that country's hot, dry climate — that represent the true ancestors of the modern book. As the centuries passed, papyrus slowly gave way to parchment (the prepared skins of animals) as writing material. Indeed, the handwritten parchment or vellum codex is "the book" par excellence of the Middle Ages. Western European book production is only part of the story, and the author is at pains to illuminate the bibliographic contributions of numerous peoples and cultures: Greek and Roman book production, books made in central and southern Asia, the books of Africa, pre-Columbian America, and the Far East — material that is often not mentioned in Western histories of the book.
Based on years of painstaking research and incorporating a wealth of new material and conclusions, the text is enhanced throughout by abundant illustrations — nearly 200 photographic facsimiles of priceless manuscripts in museums and libraries around the world.

  • Sales Rank: #529825 in Books
  • Published on: 2011-11-17
  • Released on: 2011-10-20
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.42" h x 1.13" w x 5.39" l, 1.39 pounds
  • Binding: Paperback
  • 624 pages

From the Back Cover

"A remarkable work. . . . For sheer weight of information there is no equal to it."—The Spectator.
It is probable that the earliest "books" were written on wood or leaves as early as the fourth millennium B.C. These fragile materials, unfortunately, have not come down to us. In their absence, the earliest surviving books are the clay tablets of Mesopotamia, the oldest attributed to c. 3500 B.C. On these ancient clay shards, dense rows of cuneiform script record the seminal writings of mankind: the Gilgamesh epic, Sumerian literary catalogues, Babylonian astrology, Assyrian accounts of the Creation and the Flood, and the Lipit-Ishtar Law-Code (c. 2000 B.C.), predating Hammurabi and the oldest law code in human history.
Probably as ancient as the Mesopotamian writings, or nearly so, are Egyptian hieroglyphics. In a sense, it is the papyrus scrolls of the Egyptians—preserved by that country's hot, dry climate—that represent the true ancestors of the modern book. As the centuries passed, papyrus slowly gave way to parchment (the prepared skins of animals) as writing material. Indeed, the handwritten parchment or vellum codex is "the book" par excellence of the Middle Ages. Western European book production is only part of the story, and the author is at pains to illuminate the bibliographic contributions of numerous peoples and cultures: Greek and Roman book production, books made in central and southern Asia, the books of Africa, pre-Columbian America, and the Far East—material that is often not mentioned in Western histories of the book.
Based on years of painstaking research and incorporating a wealth of new material and conclusions, the text is enhanced throughout by abundant illustrations—nearly 200 photographic facsimiles of priceless manuscripts in museums and libraries around the world.
Dover (1982) unabridged republication of The Hand Produced Book, 1953.

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23 of 24 people found the following review helpful.
Incredibly Comprehensive and Stimuating
By Timothy Dougal
"The Book Before Printing" by David Deringer is more than a book for bibliophiles: it is a mind-bogglingly comprehensive history of the roots of our common intellectual culture. From the oldest fragment of an Egyptian book c.2600 BCE, through clay tablets, papyrus, leather and parchment scrolls, to codices (that is, books as we have come to know them) in the early centuries of the Common Era, from prehistoric and non-literate symbolic/memnonic schemes, through early writing systems of Africa and Asia, to alphabets and scripts, Diringer examines every bit of evidence that was available up to the early 50's, when the book was written, to reveal archeological, cultural, linguistic, and religious trends through the millenia, and how scribes functioned, in their various settings, to bring us what remains of of distant literary past. He delves into the remotest corners of the globe for unexpected insights and manuscripts. Illustrations are abundant and well-described. I can only wonder what an edition updated to include all the most recent discoveries would be like. Probably huge! But even as it is,this book is a goldmine of information, and a feast for the mind.

27 of 29 people found the following review helpful.
An Exceedingly Convenient Reference!
By Brian A. Glennon
The chief value of this work is in its collection of photographs of rare and unique manuscripts and its mass of empirical data; therefore this effort of Dr. David Diringer - 'THE BOOK BEFORE PRINTING: Ancient, Medieval, and Oriental (c.1953, 1982), becomes a nice compendium of evidence rather than a plausible theory of the development of the modern book.
Indeed this author's use of the word 'book' to designate any written material is a source of ambiguity as Dr. Diringer further refined his definition of a book to only the written word found "on perishible material such as wood, leather, or papyrus" (p. 48). So according to this author, only the written word found on clay, rolls, scrolls, leather parchments, linen, and waxed boards up to and including the codex are books - but not stone tablets, cave etchings, monument markings or metal stampings.
Though other studies begin their histories of the book with the codex (e.g. THE CODEX by Dr. Roberts; and THE BIRTH OF THE CODEX by C. H. Roberts), this author's extension of his book definition back to the furthest reaches of human civilization had inadvertently provided the reader with such a broad survey of data that few students will not be instructed by the many well chosen photographs of the rare and ancient manuscripts the author collected to use as examples of books.
In fact, the sheer volume of the photocopied documents almost compelled a reader to turn another page. In chronological order, each photocopy of a scroll, parchment, or codex coincided with Dr. Diringer's explanation of a period in a country's ancient history in which that document was produced. (This is a point where the author's expertise in writing tended to displace his main theme of book history). Yet some documents have achieved such a mythical quality, as 'Beowulf' or the 'Iliad' that it is striking to see a clear, legible photocopy on a following page.
Dr. Diringer made his work further interesting by juxtaposing several copies of ancient manuscripts for either penmanship, language, material, or size comparison. This is exceedingly convenient as the author provided a quick reference of distinguishing artifact features; such as: "National Hands" (p. 286) of 7th century Merovingian with the Visogothic cursive; and the 9th century Roman minuscule with the 10th century Benevendon script. The author provided a clear view of such esoteric documents as: the Lipit-Ishtar Law Code (4,500 B.C.); the Codex Sinaitus (4th century), and the earliest Japanese written document - the 'Shotoku Taishi (573 a.d.). Thus the mere perusal of THE BOOK BEFORE PRINTING will become a learning experience as the bibliophile might discover a rare document containing an alphabet or language (or the existence of a race) new to his studies. The sheer beauty and antiquity of some of these manuscripts, such as 'The Book of Kells', or the 15th century illuminated copy of 'Chaucer', and the clay Summerian tablet of the 'Hammurabi Law Code' written in cuneiform, are magnificent.
Originally published as THE HAND PRODUCED BOOK (c. 1953); THE BOOK BEFORE PRINTING is not so much a history of the book as it is many histories of the written word. Containing few mistakes (I found one spelling error on page 75; and the original title is still extant on top of each text page) Dr. Diringer had produced an excellent and valuable reference tool for the general reader as well as the scholar. If you need to choose a subject topic for an English, History, Archaeological, or palaeological dissertation then THE BOOK BEFORE PRINTING might help you in that choice. So even if you don't believe that a scroll is a book, Dr. David Diringer's work is still worth reading.

14 of 14 people found the following review helpful.
For bibliophiles and bibliomanes
By L. Waldron
This is a reprint of Diringer's "The Hand-produced Book". If you like books, you will LOVE this. You will beat yourself on the head and say, "Where has it been all my life?"
Diringer wrote "The Alphabet" and "The Illuminated Book", as well. All of these are easily accessible to the educated layman, and each is a rollicking good time. Alphabet and Illuminated are out of print. I found each of the 3 titles through the interlibrary loan program, but it would be a groove to actually own them.
Diringer is erudite, with a charming style. The illustrations in all the books are excellent.
What are you waiting for? THIS IS IT.

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