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From Book 1: Leaping from the final pages of Civil War, this is the *only place* readers can find out what happens next in the life of CAPTAIN AMERICA!
Trust us, folks, this oversized 25th issue will stun readers and send shockwaves through the entire Marvel Universe for the next year!

Most helpful customer reviews

29 of 30 people found the following review helpful.
Captaining a stellar run of stories.
By Axel
This a an excellent, lovely collection of some wonderful "Captain America" stories between issues 25-42 of the current Captain America series being published by Marvel comics. Although not a perfect collection, it comes pretty close, and is presented in a sturdy, wonderful and high quality format that will look great on any shelf and stand up to several readings.

The collection starts with the issue in which Steve Rogers apparently "dies," and is perhaps one of the best "death" of a superhero stories in that genre, and continues onward until the assumption of the Captain America identity by Bucky and beyond. It is an uncompromising issue in which Brubaker hits all the right notes, and in which the tragedy of Steve's death is enriched by the wider "civil war" conflict which leads to the circumstances he finds himself in. Thankfully, detailed knowledge of that event is not a pre-requisite, as I did not read it, but was aware of the basic conflict between Captain America and Iron Man on the issue of registration of costumed heroes.

Although issue 25 was printed in the first Captain America Omnibus published by Marvel, it's appropriate to be reprinted here, since all the stories that follow are set off by the events in that issue. Brubaker's approach here is well in keeping with his approach since starting his run, which is to ground the stories in a sense of realism and avoid navel gazing and spending too much time on faux reflection on Steve's passing by the supporting cast. Characters mourn and the loss of Steve Rogers permeates and is the catalyst of all the events that follow, but life does go on and Brubaker commits himself to continuing the story. Essentially, as Sharon, Sam (the Falcon), Tony Stark (Iron Man) and Nick Fury are forced to come to terms with Steve's demise, unexpected events take place which put Bucky in the position of having to assume the identity of Captain America. At the same time, the Red Skull's plot barrels along with the assistance of a plant in Shield itself and Sharon is captured. Although the Skull's plans are anything but transparent, an insidious plot to destroy America by taking over it's government comes frighteningly close to fruition and the new Captain America does an admirable if not flawless job at putting a spoke in the Skull's wheel. The stories here are lyrical, the characters are well drawn and the stakes are high in the right kind of way (without being silly). If anything, it is in this volume that the Cap series finally picks up some real momentum, with events unfolding organically, and with an immediacy and urgency which the previous 25 issues of Captain America sometimes lacked. In fact, while the first Captain America Omnibus is a great read, I preferred this second volume, as that volume occasionally got a little bogged down and could be slow at times.

Brubaker isn't quite the genius some make him out to be, but is instead, a solid storyteller with a talent for creating realistic sounding characters and for creating grand, organic plots that satisfy thoroughly when read in bulk. It will rarely be a case where one particular chapter of Brubaker's run will really stand out as exceptional in and of itself, or even be very memorable, (issue 25 being the exception.) Issue to issue, the stories are hardly full of single events, or lines of dialogue or example, that will resonate with you afterward. Events seem to blur and intertwine, but as part of a larger whole, each chapter advances the plot substantially and provides a satisfying reading experience that comes together to make an even more satisfying whole. In fact, on reflection, it occured to me that actually, Brubaker has been telling the very same story since his Cap run began in 2005; namely a story about the confrontation between the extreme, fascist philosophies embodied by the Red Skull and perhaps, the idea of Captain America more than an individual wearer of the suit or bearer of that name, and all those things that go along with that. While all of Brubaker's other characters seems well drawn, his Steve is ironically a little removed, even slightly aloof, which isn't necessarily a bad thing and often helps promote the necessary mystique around the character that makes him likeable. At one point, Brubaker has Bucky, the character with whom we as readers probably most sympathize, describe Steve as that cooler, popular older brother the rest of us never want to let down, and it's a wonderful encapsulation of that mythical element Stever Rogers is supposed to represent. Structurally though, it's the overarching story that is the compelling element here, rather than individual issues, and for that reason, reading these stories in this volume in one or two sittings is therefore probably the best way to experience them. If Brubaker has any obvious weaknesses, it's that he's clearly not as comfortable with traditional comic science fiction as he is with crime or military fare, as the more slightly fantastic elements of his story, most swirling around the possibility of Steve's resurrection, seem a little clumsy and out of place. But this is early days yet for that particular tree to bear fruit. It is however, a weakness I noticed with some of the scripts.

The art on this volume is by most of the same team from the previous volume. Epting and Perkins do a serviceable job of providing a consistent, realistic vision to the stories that perfectly compliment Brubaker's grounded, humanized run. The characters feel like real people and generally move like real people, and the team demonstrate an exemplary record of clear storytelling and page layout; I've never been confused by the action in a Captain America comic drawn by these two and that's rare these days, but I would expect nothing less than that from Epting who's an old pro. If there's a minor complaint here, it's that while clearly technically competent and excellent artists in their own right, there's also nothing particularly spectacular or any images, sequences or pages that wow or arrest your attention, and maybe that's not a bad thing. The art should service the story after all and not the other way around. It's perhaps just slightly unfortunate that this team hasn't produced any defining single images that will resonate with readers in and of itself beyond Brubaker's stories. They do however have an admirable work ethic, as the need for fill in artists is infrequent, ensuring a generally unified artistic vision to this run of stories.

My only major complaint about the volume is that as the previous voilume was 25 issues plus, the 18 or so issues presented here seems a little short. While some might counter that the later issues after 42 relate more to Steve's eventual return and therefore don't meet the theme of the "death of Captain America," one still leaves the volume feeling like there's so much story which hasn't been included. However, that's more a compliment to the creative team than anything else, and only the unreasonable would refuse to accept that the story "ends" at a natural break. My other complaint is minor and about the format, namely the extra, DVD like material, articles and interviews etc presented in the first Omnibus is pretty light here, which I think is unfortunate. There are some bits and pieces about the media coverage of the death issue and Brubaker's intentions when starting the series some years back, but given the importance of the stories collected here and the volume of material produced about them by other media and by the industry at large, the few pieces presented here seem a little on the lean side to me. But that's a minor quibble and does not in any way diminish the excellent work the team accomplishes here.

Captain America under Brubaker and Epting and Perkins is a great property and I can't wait for the next Omnibus in this series, as I don't buy the monthly installments and never have. Highly recommended.

8 of 10 people found the following review helpful.
Death and rebirth
By N. Durham
As I've said before, I wasn't too fond of Ed Brubaker's run on Captain America when it first started out, what with bringing Bucky back from the dead and all, but eventually over time, I became a believer. With The Death of Captain America Omnibus, we witness Brubaker shockingly lay waste to star-spangled Avenger Steve Rogers in the wake of Civil War, which paves the way for Bucky to rise up and don the shield and costume in an effort to thwart the Red Skull's diabolical, overarching scheme. Loaded with espionage, action, and always constantly compelling and surprising, this is where Brubaker's run on Captain America really, really shined. Combined with the artwork of Steve Epting and Mike Perkins, along with everyone else included in this handsome omnibus, and you have what has become the definitive Captain America creative team. All in all, if you've missed out on any of Brubaker's now prolific run on Captain America, this is as good a place to jump on as any. Long live Cap.

2 of 2 people found the following review helpful.
Last Stand of the finest Avenger.
By Luquillo
The Civil War between Captain America and Iron Man has ended with Iron Man as the victor. Steve Rogers aka Captain America is escorted to his trial and the Red Skull's master plan is put into action. Cap's allies scramble and the Winter Soldier aka Bucky has his own mission. -summary

The Death of Captain America is the culmination of 3 years worth of storytelling that began and took place within the pages of Captain America: Winter Soldier, Captain America: Red Menace, Civil War, and Captain America: Civil War. Ed Brubaker began making status quo changes when he re-introduced Captain America's original side-kick Bucky Barnes as the Winter Soldier. Originally it was thought that Bucky was killed during a mission in World War II, but he was revealed to be alive and well, and used as a weapon to conduct covert assassinations for decades. Along with many fans, I was not too happy to see Bucky resurrected through a retcon, because along with Uncle Ben from the pages of Spider-Man and Jason Todd in Batman, Bucky's death was meant to be irreversible and for a very long time Marvel ran with this as he even appeared among the Legion of the Unliving. I guess it's true after all, no one truly stays dead in comics, well, unless it's Uncle Ben. In any case, I enjoyed how the character was handled, Brubaker managed to pen the best Captain America stories in at least 20 years. The last, highly enjoyable storyline I can think of off the top of my head was The Captain. Now getting to this book, this is an awesome omnibus that collects the storyline across issues 25 - 42, but minus the Fallen Son story arc. The Omnibus itself is very well made with a sturdy spine, it opens up very well with almost nothing lost in gutter space.

Now, it's not even a spoiler Cap dies, but he gets it very early in the story, and his death mainly effects the community motivating debate. Was he a hero or a traitor? I remember wondering was that a mistake and was it even possible this book could survive so many issues without Cap. Brubaker sees to it that Cap's demise doesn't dampen the story in the least. He does a fantastic job developing nearly all of the characters, and it was a surprise to witness the likes of Winter Soldier, Falcon, Sharon Carter, and Black Widow carry the narrative so well. They don't deserve all the credit though as the villains play just an important role with Red Skull leading the way, flanked by his psychotic daughter Sin, along with Dr. Faustus, Arnim Zola, and Crossbones. Once the stage is quickly set, the story begins its tale full of action, suspense, espionage, government intrigue, and controversy.

The plot follows Cap's allies as they track down his killer which is exactly what the Red Skull wants. He wants them and S.H.I.E.L.D. which is now lead by Iron Man, to be heavily distracted while he attacks America on many fronts. This is probably the Skull's most diabolical plan, and the fact he's even able to outwit Iron Man at all deserves a mention. The Red Skull has always been a serious threat but Brubaker further cements him as an A-List villain.

Despite these guys and gals wearing costumes, one of the main positives to Brubaker's storytelling is how he grounds his stories into realism. Captain America's murder is so simple, realistic, and sudden, it carries more dramatic impact than if he had went down in the heat of battle. The real show stealer here though is definitely Winter Soldier. He had already been developed very well by this point, yet Brubaker continues building him into an even more likable character. Bucky is very determined and highly skilled, and we get to see those skills put to work as he takes on several big names. His crowning moment takes place later in the book and it's very interesting watching him in his new position. As great a job Brubaker does here, his greatest flaw is keeping the narrative 100% interesting; he tends to be redundant at times by going back to points already made, and I think he kind of fumbles with Sin a little bit, at least for me that is. She rarely held my interest and her blood thirsty attitude felt too much like a rip off of the Spider-Man villain Shriek, plus he tried too hard developing her as stylish and cool.

Steve Epting, Mike Perkins, and Roberto De La Torre handles the dark and brooding artwork, that by this time felt perfectly at home in the pages of Captain America. There are plenty of moments where the story feels like an action thriller as opposed to a comic. The lack of overly vibrant colors works into the almost depressing like atmosphere dealing with these darker themes. The action panels are very cool to watch, as the new Captain America hurls his shield towards enemies while shooting them with his pistol. He also goes through brutal confrontations with Crossbones and even the new Serpent Squad. There are plenty of kills here too, with people either being shot or beaten to death. There is just so much action to be found here I find it near impossible for anyone to be bored. The character designs are worth noting; the new Captain America uses a shiny, armor like version of the original uniform. The females such as Agent 13 aka Sharon Carter and Black Widow aren't over the top with their sexiness, which really isn't a problem. The dialog is easy to follow, as are the action panels. Brubaker doesn't shoot for a cinematic feel at all with illustrations floating across the pages. That's Bendis' thing, and honestly I'm getting a little tired of that.

The Death of Captain America is among the better status quo changing books, but there was always this feeling that it wasn't permanent since the numbering of the book continued. In any case, this is one of the most important story lines that took place during Marvel's big change leading towards Siege. It works well as a stand alone title, but it wouldn't hurt at all to back track towards the earlier books I mentioned. In fact, it would help a great deal especially in regards to understanding the situation between Red Skull and General Lukin. Still, I highly recommend this to Marvel fans. It's necessary moving forward.

Pros: An overall outstanding and gripping narrative

Cons: Minor things needed detail, small writing complaints

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[G720.Ebook] Download Hearts of Three, by Jack London

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John Griffith "Jack" London (born John Griffith Chaney, January 12, 1876 – November 22, 1916) was an American author, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf. London was part of the radical literary group "The Crowd" in San Francisco and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.

• Published on: 2015-12-09
• Original language: English
• Dimensions: 9.61" h x .51" w x 6.69" l,
• Binding: Paperback
• 224 pages

About the Author
Jack London (1876-1916) was an American writer who produced two hundred short stories, more than four hundred nonfiction pieces, twenty novels, and three full-length plays in less than two decades. His best-known works include The Call of the Wild, The Sea Wolf, and White Fang.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Good book, bad publisher
By Amazon Customer
So many mistakes, typos and lost symbols - it is very awful edition for reading.

4 of 5 people found the following review helpful.
Best adventure book
By A Customer
I read this book three times when I was young. It is the best adventure story I ever read. The beginning is boring a little, but further things happen so fast, so different, graphically, unlimited and smart. The plot isn't linear and unpredictable. There are love, pursuers, treasure hunting and intrigues.

3 of 4 people found the following review helpful.
not King' Solomon's Mines, but Mayan treasure's as intriguing
By Nikolai G.
Why is this book so difficult to find? Why hasn't it been re-printed? Who knows...

This book was extremely difficult to find for some time. I had a Russian translation of it.

The fact is that translations of this relatively unknown work by J. London, actually a novelization of a movie script by Charles Goddard, are in wide circulation, especially in Russia, where it has been one of a group of favourite books.

I myself have read it a several times, bot as a child, and as an adult. In that latter occasion I was reading more critically and it is my opinion that it has nothing less than "King Solomon's Mines" or other similar books, widely read by many... Romance, exotic location, colorful portraying of characters, magnificent villains, burning sun and glowing treasure, lovely señoritas, twists - all that in a shape of a gripping narrative in one of the best books by London I have ever read. Scholars specializing on the author's work may state that it is a lot different then other more popular of his works, but I don't think anyone could say that it's not top of its genre. You will enjoy it immensely!

EDITED: it was finally reprinted in 2003 by Kessinger Publishing Co

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[V184.Ebook] PDF Download Ella Minnow Pea: A Novel in Letters, by Mark Dunn

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Ella Minnow Pea is a girl living happily on the fictional island of Nollop off the coast of South Carolina. Nollop was named after Nevin Nollop, author of the immortal phrase containing all the letters of the alphabet, “The quick brown fox jumps over the lazy dog.”

Now Ella finds herself acting to save her friends, family, and fellow citizens from the encroaching totalitarianism of the island’s Council, which has banned the use of certain letters of the alphabet as they fall from a memorial statue of Nevin Nollop. As the letters progressively drop from the statue they also disappear from the novel. The result is both a hilarious and moving story of one girl’s fight for freedom of expression, as well as a linguistic tour de force sure to delight word lovers everywhere.

• Sales Rank: #8888 in Books
• Brand: Anchor
• Published on: 2002-09-17
• Released on: 2002-09-17
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .60" w x 5.20" l,
• Binding: Paperback
• 208 pages

Features

• Great product!

Review
“There’s the whiff of a classic about Ella Minnow Pea.” —The Christian Science Monitor

“A love letter to alphabetarians and logomaniacs everywhere.” --Myla Goldberg

“A curiously compelling . . . satire of human foibles, and a light-stepping commentary on censorship and totalitarianism.” --The Philadelphia Inquirer

“This exceptional, zany book will quickly make you laugh.” --Dallas Morning Herald

From the Inside Flap
Ella Minnow Pea is a girl living happily on the fictional island of Nollop off the coast of South Carolina. Nollop was named after Nevin Nollop, author of the immortal pangram, * "The quick brown fox jumps over the lazy dog." Now Ella finds herself acting to save her friends, family, and fellow citizens from the encroaching totalitarianism of the island's Council, which has banned the use of certain letters of the alphabet as they fall from a memorial statue of Nevin Nollop. As the letters progressively drop from the statue they also disappear from the novel. The result is both a hilarious and moving story of one girl's fight for freedom of expression, as well as a linguistic tour de force sure to delight word lovers everywhere.
*pangram: a sentence or phrase that includes all the letters of the alphabet

About the Author
Mark Dunn is the author of more than twenty-five full-length plays. Belles and Five Tellers Dancing in the Rain have together received over 150 productions throughout the world, and Dunn has been the recipient of several national playwriting awards. He is currently playwright-in-residence with the New Jersey Repertory Company and the Community Theatre League in Williamsport, Pennsylvania. Originally from Memphis, he now lives in Greenwich Village with his wife, Mary.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Religion v Knowledge
By Joseph J. Marcus
The fictional island nation of Nollop reveres the written word. Founded as a tribute to Nevin Nollop (fictional creator of the "the quick brown fox jumps over the lazy dog" phrase), the islanders have a statue of Nollop and the fox/dog sentence on tiles written below it. But when the tile containing the "Z" falls off, it starts the idyllic island nations descent into a theocratic dictatorship that is really very depressing.

The Council decrees that no word with a Z should ever be used again.

Then other letters start to fall.

The book is written as a series of letters to and from various islanders. It is a fascinating read, but gets dark quickly. Reader beware. BUT! It is very much worth the read.

1 of 1 people found the following review helpful.
Fun, poignant read
By Amazon Customer
I love this book. I have read it multiple times over the years and finally got to buy it. It is an epistolary novel, meaning it's written entirely in letters between the characters. While that doesn't work for everyone, I love it. What a great way to show the disintegration of both the ability to communicate and the ability to think deep thoughts. I enjoy especially the play of words on the dates and what it says about the characters.

1 of 1 people found the following review helpful.
A kind of successor to the Orwellian tradition
By Suzanne Stampley
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A magisterial work of social history, Life After Death illuminates the many different ways ancient civilizations grappled with the question of what exactly happens to us after we die.

In a masterful exploration of how Western civilizations have defined the afterlife, Alan F. Segal weaves together biblical and literary scholarship, sociology, history, and philosophy. A renowned scholar, Segal examines the maps of the afterlife found in Western religious texts and reveals not only what various cultures believed but how their notions reflected their societies’ realities and ideals, and why those beliefs changed over time. He maintains that the afterlife is the mirror in which a society arranges its concept of the self. The composition process for Judaism, Christianity, and Islam begins in grief and ends in the victory of the self over death.

Arguing that in every religious tradition the afterlife represents the ultimate reward for the good, Segal combines historical and anthropological data with insights gleaned from religious and philosophical writings to explain the following mysteries: why the Egyptians insisted on an afterlife in heaven, while the body was embalmed in a tomb on earth; why the Babylonians viewed the dead as living in underground prisons; why the Hebrews remained silent about life after death during the period of the First Temple, yet embraced it in the Second Temple period (534 B.C.E. –70 C.E.); and why Christianity placed the afterlife in the center of its belief system. He discusses the inner dialogues and arguments within Judaism and Christianity, showing the underlying dynamic behind them, as well as the ideas that mark the differences between the two religions. In a thoughtful examination of the influence of biblical views of heaven and martyrdom on Islamic beliefs, he offers a fascinating perspective on the current troubling rise of Islamic fundamentalism.

In tracing the organic, historical relationships between sacred texts and communities of belief and comparing the visions of life after death that have emerged throughout history, Segal sheds a bright, revealing light on the intimate connections between notions of the afterlife, the societies that produced them, and the individual’s search for the ultimate meaning of life on earth.

• Sales Rank: #435060 in Books
• Published on: 2004-07-13
• Released on: 2004-07-13
• Original language: English
• Number of items: 1
• Dimensions: 9.56" h x 2.02" w x 6.71" l, 2.90 pounds
• Binding: Hardcover
• 880 pages

From Publishers Weekly
This monumental study combines history, geography, mythology, archaeology and anthropology with biblical text analysis. Segal, a professor of Jewish studies at Barnard College, spent 10 years on this project, but the erudition he displays is undoubtedly the result of a lifetime of scholarship. In every culture, people ask the same fundamental questions about their existence, including "what happens after we die?" Although Segal maintains that answers to that question lie "beyond confirmation or disconfirmation in the scientific sense," he offers a comprehensive overview of how the afterlife is understood in the three main Western religions. He thoroughly examines early influences from Egypt, Mesopotamia, Canaan, Iran and Greece, then analyzes Jewish views as expressed in the first and second temple periods, the book of Daniel, the Dead Sea scrolls and writings from and about New Testament times, the early rabbis, mysticism and fundamentalism. For Christianity, systematic attention is given to Paul, the Gospels, the pseudepigraphic literature and the Church Fathers. Segal also scans Muslim beliefs as they appear in the Qur'an and the writings of Shi'a mystics and modern fundamentalists. The introductory and concluding chapters provide the essence of the presentation, enlivened by quotations from Shakespeare. Impatient readers may begin with these two chapters as a guide to determining which other sections of the book warrant further scrutiny. Careful readers, however, will take the trouble and the time to pore over this impressive contribution to our understanding of human belief and behavior.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Praise for Alan F. Segal’s Paul the Convert

“Bold and imaginative.” —Paula Fredriksen, Books & Religion

“Alan Segal’s new book challenges Jewish and Christian scholars alike to take a fresh look at this well-educated man, arguing not only that it is impossible to understand Paul’s Christian writings without understanding first-century Judaism but that early Hellenistic Judaism is itself illuminated by Paul, since he was one of only two Pharisees to have left any personal writings at all.” —The Washington Post Book World

“This is a thoughtful, demanding book that the serious student of Paul will find well worth the effort.” —Bible Today

“Segal’s work abounds in fresh insights for students of Paul.” —F. F. Bruce, American Historical Review

“A brilliantly argued book. . . . Paul is neither hero nor villain for Segal but a fascinating historical and religious character, from whom we can learn much about both Judaism and Christianity. . . . I found myself thoroughly sympathetic to Segal’s portrayal of Paul. More than that, I found myself convinced.” —J. Christian Wilson, The Christian Century

“Elegantly produced. . . . Segal considers Paul’s Pharisaic education and training as well as the Jewish context of his religious struggle after he became a Christian. He treats Paul as a Jew, a convert, and an apostle, and places his conversion from Pharisaism to Christianity in the context of his society and his mission to the Gentiles.” —America

About the Author
ALAN F. SEGAL is Professor of Religion and Ingeborg Rennert Professor of Jewish Studies at Barnard College, Columbia University. He is the author of Paul the Convert, Rebecca’s Children, and Two Powers in Heaven, as well as numerous scholarly articles.

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33 of 33 people found the following review helpful.
A Weighty Tome
By Brian Bear
Alan F. Segal's book "Life After Death" is my first read of his work, and certainly the most massive book I have read in some time. Considering the sheer scope of the topic Segal has attempted to cover, the size of the book should come as no surprise. However, the physical weight is where the "weightiness" ends.

Now, before you freak out about over 700 pages of text on life after death, it should be emphasised that Segal writes in a very accessible and easy going manner. A few of the words he uses require a dictionary, (at least, I needed one), but the incidence of this was not a burden. Segal keeps you moving and presents a great level of quotation from ancient sources to highlight his points. His manner and style of presentation and discussion are absolutely fantastic.

Segal presents the beliefs of different cultures from a more social viewpoint than anything, and deals with how these beliefs can illustrate what the people thought of about themselves and the world about them. What you end up with is a very interesting discussion not just on life after death, but also some of the political, cultural and social concerns that went into them. This makes for a very well-rounded discussion.

Segal takes you through various cultures and civilisations, and throughout he inter-connects various ideas between them to show how they illustrate each other by contrast or simularity. These cultures include chapters on Ancient Egypt, Mesopotamia and Canaan, Israelite, (broken into various chapters), and much more, including detailed chapters on Christian views and their development through the centuries.

This book is really a great overview of the topic, and it is relatively easy to find from Segal's referencing further material for more specific reading. Segal has done exceptionally well to squeeze such a vast topic into about 750 well-written and dynamic pages.

This book gets a big "thumbs-up" from me. I will certainly be reading more of Segal's work in the future.

11 of 12 people found the following review helpful.
outstanding
By D. Gebhard
For many Christians, recitation of the Apostles' Creed is a rote part of Sunday morning's liturgy. And most worshipers more than likely routinely repeat phrases they've repeated Sunday after Sunday without giving much or any thought to what they're saying. "Resurrection of the dead" I suspect is one of those affirmations that roll politely off the tongue while conveniently by-passing the gray matter. My hunch is that people assume they're making a belief statement about the resurrection of Jesus not their own physical, corporeal resurrection.

Segal's book picks up where Oscar Cullman left off and goes into exhaustive and fascinating detail as to how the idea of an afterlife came to be in the Western world. Cullman's little book (Immortality of the Soul or Resurrection of the Dead) is must reading. In less than a hundred pages, Cullman details the differences between the pagan notion of an immortal soul and the Jewish/Christian belief in the resurrection of the dead--real bodies being raised in the last days. Life After Death begins with those same pagans and then offers an extremely well-documented history of various religion's views of the afterlife. This is not an afternoon read.

What I found most fascinating about Segal's book was the way he demonstrated the connection between the different philosophical ideas and the religious belief system(s) that inherited or appropriated its predecessor. One must make a leap of faith at times with his connections (no proof can be made that an early Christian said, "Plato's Phaedra makes sense to me!"), but the bridges he makes are convincing and cited with care. Gnosticism is but one compelling example of such a connection.

Apart from the historical aspect, one may ask, "So what? What difference does it make?" American Christians' bias against Muslims viz. martyrdom is one case in point. It is assumed (by our prejudice) that martyrs do what they do to inherit afterlife in Paradise. And that very well may be the case, and Segal does a fine job of looking at the nuances of Islamic interpretation of holy text. But recall Marx blasted Christianity as the opiate of the masses and Woody Guthrie criticized Christians for desiring the "pie in the sky by and by" because these beliefs can lead to self-righteousness, ignoring of social issues, and the Christian version of holy war (Crusades, Manifest destiny, Iraq).

Expect to be enlightened and amazed with this book. I cannot recommend it strongly enough for any thoughtful Christian, one who adheres to the dictum that spiritual growth is "faith seeking understanding."

16 of 17 people found the following review helpful.
Exhaustive Coverage of Jewish, Christian, Islamic Views
By John Matlock
Humans are, so far as we know, the only animal that concerns itself with what happens to us after we die. We don't even like to use the word die, we say passed away, crossed the river Jordan, or other terms. ==A major aspect of western religion is defining life after death. And in this monumental work, the origin and evolution of afterlife thoughts are traced. He begins with the Egyptions, where a life after death theology began to be developed. He thoroughly examines other early cultures such as Mesopotamia, Canaan, Greece, etc.

Finally he gets into the big three of western religions, first he covers Jewish views (Dr. Segal is a professor of Jewish studies at Columbia). Christian views come largely from Paul (Dr. Segal wrote a definitive book on Paul.) and the Gospels. For Islam, of course the Qur'an and some of the more modern writings are used.

In spite of the books large size (about 730 pages of text plus 150 pages of notes) it is fascinating enough and well written enough that it is relatively easy reading.

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• Sales Rank: #247062 in Books
• Published on: 2013-10-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .26" w x 6.00" l, .36 pounds
• Binding: Paperback
• 112 pages

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• Published on: 1900
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